Michael McBroom, Luthier ( Houston, Texas) and Janet Marlow, Internationally renowned ten-string guitarist and author of Playing The Ten-String Guitar: An Approach Guide for Guitarists establish a partnership to provide high quality, hand made ten-string guitar entry models for the guitarist interested learning and playing the ten-string guitar. Specifications for the Janet Marlow Entry Model10-string guitar
Michael McBroom, Luthier
1. Cedar top
2. Indian rosewood back/sides and bridge
3. Ebony fingerboard
4. Spanish cedar (cedro) neck with ebony reinforcement strip
5. Bloodwood binding with top purfling only
6. McBroom soundboard radial bracing pattern
7. Schaller or Grover tuners (cut to fit a 10-string headstock)
8. 650mm scale
9. 85mm nut, 115mm saddle
Price $1750.00 USD w/ case
For further inquiries please contact Michael McBroom at: cooltouch@gmail.com
Original Repertoire for the Modern 10-String Guitar
Compiled, contributed, and with notes by Viktor van Niekerk
(vivanni@hotmail.com comments, queries, additions, and corrections welcome)
Key to terms:
Modern (Yepes) string configuration - Standard tuning:
[e-b-g-d-A-E-C-A#-G#-F#]
[NB: Re-entry tuning of (8), (9) and (10)]
Modern Alternative string configuration - Standard tuning:
e-b-g-d-A-E-C-A#1-G#-F#
[NB: (8) is an octave lower than the Standard Modern/Yepes configuration]
Romantic (Baroque) string configuration - Standard tuning:
e-b-g-d-A-E-D-C-B1-A1
[No re-entry]
Marlow string configuration:
standard tuning: e-b-g-d-a-e-B-F#-C#-G#
[NB: re-entry tuning from (7) to (10).]
Different string configurations: When a work requires that at least one string be replaced by another with a thinner or thicker diameter (in order to be tuned as required), or when the standard order of the strings is necessarily altered, this constitutes a different string configuration.
Scordatura: Non-standard tuning, within the context of the specified string configuration
Other configurations tunings are indicated in the list, in conjunction with the work.
NB: All 6-string guitar music can be played on the 10-string guitar. This repertoire list is merely aimed at creating awareness of original compositions for the modern 10-string guitar.
***
SOLOS:
Maurice Ohana (1914-1992)
Tiento (1955; rev. mid 60s)
§String configuration & Tuning: Modern Standard
§Originally for 6-string guitar, later revised for 10-string. Performance on a modern 10-string guitar was preferred by the composer.
§Movements 4, 6, and 7 have alternatives (reductions) for performance on 6-string guitar, but the composer preferred the use of a modern 10-string guitar.
§Written for, or dedicated to: Narciso Yepes; Alberto Ponce, Ramón Montoya, Ivo Malec, Manuel Ruiz Pipó
§Publisher: www.billaudot.com (NB The seven movements are published individually.)
§All notes fall within the 6-string guitar tessitura, but this work, which makes use of sustained sounds, was intended for the Modern 10-string tuning and configuration, enabling sustained resonance for all 12 tones.
§String configuration & Tuning: Modern Standard, aside from scordatura of (7) to B1
§Written for, or dedicated to: Narciso Yepes
§The original manuscript facsimile is published by Ricordi Italy: www.ricordi.it
§NB: 10-string guitarists should specify the original 10-string version (132051) when ordering, as Ricordi also publishes [in my opinion] a very questionable reduction of this piece for 6-string guitar (138177), not authorised by the composer.
§Written for, or dedicated to: Narciso Yepes* (the work as a whole), Hirotsugu Kakinuma (3rd movement)
*[This work, dedicated to Narciso Yepes, was erroneously written for a string configuration that Yepes did not use or endorse. I have no evidence to suggest that Yepes did or did not perform it, but it is very unlikely that he did.]
§All movements have alternatives (reductions) for performance on 6-string guitar, but the composer is known to have preferred the use of a modern 10-string guitar.
NB: this is not the standard Modern string configuration and tuning. The re-entry tuning is absent and thus strings (8), (9), and (10) are an octave too low, affecting the tessitura of sympathetic resonance and therefore its balance and efficacy. [It seems that this string configuration and tuning may at some point have resulted from an individual guitarists confusion between the Modern (Yepes) tuning and the Romantic string configuration, while being effectively neither one nor the other.]
§This work may be performed as colloid-E. The E-suffix denotes an ensemble version.
§Written for, or dedicated to: Magnus Andersson; Elision Ensemble
All notes fall within the 6-string guitar tessitura, but performance on a modern 10-string guitar is preferred by the composer and additional strings may be used where appropriate.
Available from the Classical Guitar Society of South Africa: vivanni@hotmail.com.