Concerts Around the World

    

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Open strings of the ten-string 1-10
Michael McBroom, Luthier ( Houston, Texas) and Janet Marlow, Internationally renowned ten-string guitarist and author of Playing The Ten-String Guitar: An Approach Guide for Guitarists establish a partnership to provide high quality, hand made ten-string guitar entry models for the guitarist interested learning and playing the ten-string guitar.
 Specifications for the Janet Marlow Entry Model 10-string guitar
 Michael McBroom, Luthier
1. Cedar top
2. Indian rosewood back/sides and bridge
3. Ebony fingerboard
4. Spanish cedar (cedro) neck with ebony reinforcement strip
5. Bloodwood binding with top purfling only
6. McBroom soundboard radial bracing pattern
7. Schaller or Grover tuners (cut to fit a 10-string headstock)
8. 650mm scale
9. 85mm nut, 115mm saddle

Price $1750.00 USD w/ case
For further inquiries please contact Michael McBroom at:  cooltouch@gmail.com

Original Repertoire for the Modern 10-String Guitar

 

Compiled, contributed, and with notes by Viktor van Niekerk

(vivanni@hotmail.com – comments, queries, additions, and corrections welcome)

 

 

Key to terms:

 

Modern (‘Yepes’) string configuration - Standard tuning:

[e’-b-g-d-A-E-C-A#-G#-F#]

[NB: Re-entry tuning of (8), (9) and (10)]

 

Modern ‘Alternative’ string configuration - Standard tuning:

e’-b-g-d-A-E-C-A#1-G#-F#

[NB: (8) is an octave lower than the Standard Modern/Yepes configuration]

 

Romantic (‘Baroque’) string configuration - Standard tuning:

e’-b-g-d-A-E-D-C-B1-A1

[No re-entry]

 

  Marlow string configuration:

standard tuning: e’-b-g-d-a-e-B-F#-C#-G#

[NB: re-entry tuning from (7) to (10).]

 

Different ‘string configurations’: When a work requires that at least one string be replaced by another with a thinner or thicker diameter (in order to be tuned as required), or when the standard order of the strings is necessarily altered, this constitutes a different ‘string configuration’.

 

Scordatura: Non-standard tuning, within the context of the specified string configuration

 

Other configurations’ tunings are indicated in the list, in conjunction with the work.

 

NB: All 6-string guitar music can be played on the 10-string guitar. This repertoire list is merely aimed at creating awareness of original compositions for the modern 10-string guitar.

 

***

 

SOLOS:

 

Maurice Ohana (1914-1992)

Tiento (1955; rev. mid ‘60s)

 

§         String configuration & Tuning: Modern – Standard

§         Originally for 6-string guitar, later revised for 10-string. Performance on a modern 10-string guitar was preferred by the composer.

§         Publisher: www.billaudot.com

§         Composer: www.mauriceohana.com

 

 

Maurice Ohana (1914-1992)

Si le jour paraît... (1963)

 

I. Temple

II. Enueg

III. Maya-Marsya

IV. 20 avril (Planh)

V. La chevelure de Bérénice

VI. Jeu des quatre vents

VII. Aube (Alba)

 

§         String configuration & Tuning: Modern – Standard

§         Movements 4, 6, and 7 have alternatives (reductions) for performance on 6-string guitar, but the composer preferred the use of a modern 10-string guitar.

§         Written for, or dedicated to: Narciso Yepes; Alberto Ponce, Ramón Montoya, Ivo Malec, Manuel Ruiz Pipó

§         Publisher: www.billaudot.com (NB The seven movements are published individually.)

§         Composer: www.mauriceohana.com

 

 

alcidez lanza (*1929)

modulos I (1965)

 

§         String configuration & Tuning: Modern – Standard

§         All notes fall within the 6-string guitar tessitura, but this work, which makes use of sustained sounds, was intended for the Modern 10-string tuning and configuration, enabling sustained resonance for all 12 tones.

§         Written for, or dedicated to: Narciso Yepes

§         Published by Shelan: (see composer’s home page)

§         Composer: www.music.mcgill.ca/~alcides/

 

 

Antonio Ruiz-Pipó (1934-1997)

Cinqo Movimientos (1965)

 

I. [Moderato]

II. Allegretto

III. Muy lento

IV. Vivo

V. Cantabile

 

§         String configuration: Modern

§         Scordatura may be required – unspecified in the manuscript

§         Written for, or dedicated to: Narciso Yepes, « parra la guitarra de diez cuerdas de Narciso Yepes »

§         Unpublished

§         Association des Amis d’Antonio Ruiz-Pipó – 4, Rue du Parc-Royal, Paris, 75003

 

 

Leonardo Balada (*1933)

Analogías (1967)

 

I. Propulsiones

II. Oscillaciones

III. Contornos

IV. Abismos

 

§         String configuration & Tuning: Modern – Standard

§         Written for, or dedicated to: Narciso Yepes

§         Published by Beteca Music, c/o Music Associates of America: www.musicassociatesofamerica.com

§         Composer: www.andrew.cmu.edu/user/balada/index.htm

 

 

Vicente Asencio (1908-1979)

Collectici íntim (1970)

 

I. La serenor

II. La joia

III. La calma

IV. La gaubança

V. La frisança

 

§         String configuration & Tuning: Modern – Standard, aside from scordatura of (7) to B1

§         Other configurations possible – also for 6-string guitar

§         Written for, or dedicated to: Narciso Yepes

§         Publisher: www.schott-music.com

 

 

Bruno Maderna (1920-1973)

Y después (1971)

 

§         String configuration & Tuning: Modern – Standard, aside from scordatura of (7) to B1

§         Written for, or dedicated to: Narciso Yepes

§         The original manuscript facsimile is published by Ricordi Italy: www.ricordi.it

§         NB: 10-string guitarists should specify the original 10-string version (132051) when ordering, as Ricordi also publishes [in my opinion] a very questionable reduction of this piece for 6-string guitar (138177), not authorised by the composer.

§         Composer: www.bibiesse.org/maderna/

 

 

Narciso Yepes (1927-1997)

Catarina d’Alió (ca. 1972)

 

§         String configuration & Tuning: Modern – Standard

§         Published by Schott in Two Catalan Folk Songs: www.schott-music.com

 

 

Philippe Drogoz (*1937)

Prélude à la Mise à Mort (1973)

 

§         String configuration & Tuning: Unspecified [Modern] – Unspecified

§         The instrument is prepared with knitting needles and treated as percussion.

§         Also for 6-string in an abbreviated version

§         Published by Éditions Musicales Transatlantiques – 2, Passage Crimée, Paris, 75019

 

 

Jorge Labrouve (*1948)

Nueva op. 8 (1974)

 

§         String configuration & Tuning: Modern – Standard

§         Written for, or dedicated to: Jorge Fresno

§         Unpublished

§         Composer: www.jorgelabrouve.com

 

 

Jorge Labrouve (*1948)

Enigma op. 9 (1974)

 

§         String configuration & Tuning: Modern – Standard

§         Written for, or dedicated to: Narciso Yepes

§         Published by Editions Max Eschig: www.salabert.fr

§         Composer: www.jorgelabrouve.com

 

 

Luigi Donorà (*1935)

Rito (1975)

 

I. Omaggio a Takeo Noro [variazioni sul I T. da “MEET” di T. Noro]

II.

III. Molto calmo (ma libero) [Canto popolare Giapponese]

IV. Allegro

 

§         String configuration & Tuning: Romantic – Scordatura

§         Written for, or dedicated to: Narciso Yepes* (the work as a whole), Hirotsugu Kakinuma (3rd movement)

*[This work, dedicated to Narciso Yepes, was erroneously written for a string configuration that Yepes did not use or endorse. I have no evidence to suggest that Yepes did or did not perform it, but it is very unlikely that he did.]

§         Publisher: www.pizzicato.ch

§         Composer: www.istrians.com/istria/illustri/donora/

 

 

José Ramón Encinar (*1954)

El aire de saber cerrar los ojos (1975)

 

§         String configuration & Tuning: Modern – Standard

§         Written for, or dedicated to: Jorge Fresno

§         Published by Edizioni Suvini Zerboni. www.esz.it

§         Composer: www.havanacity.com/sgae/autor/19/contenido.asp

 

 

Michèle Reverdy (*1943)

Number One (1977)

 

§         String configuration & Tuning: Modern – Standard

§         Written for, or dedicated to: Pierre Laniau

§         The published Salabert edition is a reduction for 6-string.

§         The original manuscript for 10-string guitar is unpublished – available from composer.

§         Composer: www.reverdymichele.com

 

 

Lewis Spratlan (*1940)

Chiasmata (1979)

 

§         String configuration & Tuning: Modern (Alternative) – Scordatura

§         Written for, or dedicated to: Janet Marlow

§         The manuscript facsimile is published by Margun Music Inc.

§         Available through Shawnee Press: www.shawneepress.com

§         Composer: lewisspratlan.com

 

 

Maurice Ohana (1914-1992)

Cadran Lunaire* (1981-82)

 

I. Saturnal

II. Jondo

III. Sylva

IV. Candil

 

§         String configuration & Tuning: Modern – Standard

§         All movements have alternatives (reductions) for performance on 6-string guitar, but the composer is known to have preferred the use of a modern 10-string guitar.

§         Written for, or dedicated to: Martín Luís Diego

§         Publisher: www.billaudot.com

§         Composer: www.mauriceohana.com

 

 

Amaury du Closel (*1956)

Cadence (1982)

 

§         String configuration: Modern

§         Written for, or dedicated to: Pierre Laniau

§         Unpublished/Published by composer

§         Composer: members.aol.com/amduclosel/homepage.html

 

 

Wilfried Satke (*1955)

Holometabolie 1 (1982-83)

 

I. Ei

II. Larve

III. Puppe

IV. Imago

 

§         String configuration & Tuning: Romantic – Scordatura

§         Written for, or dedicated to: Astrid Stempnik

§         Published by the composer

§         Composer: www.satke.ws/satke.htm

 

 

Hans-Ola Eriksson (*1958)

Melody to the memory of a lost friend I (1982-83)

 

§         For amplified guitar and tape recording of 10-string guitar

§         Written for, or dedicated to: Magnus Andersson

§         Publisher: Swedish Music Information Centre: www.mic.stim.se

 

 

Vincenzo Saldarelli (*1946)

...il limpido orizzonte (1988)

 

§         [No further information is currently available.]

 

 

Richard Barrett (*1959)

colloid (1988-92)

 

§         Non-standard string configuration tuned: e’-b-g-d-A-E-C-A#1-G#1-F#1

 

NB: this is not the standard Modern string configuration and tuning. The re-entry tuning is absent and thus strings (8), (9), and (10) are an octave too low, affecting the tessitura of sympathetic resonance and therefore its balance and efficacy. [It seems that this string configuration and tuning may at some point have resulted from an individual guitarist’s confusion between the Modern (‘Yepes’) tuning and the Romantic string configuration, while being effectively neither one nor the other.]

 

§         This work may be performed as “colloid-E”. The E-suffix denotes an ensemble version.

§         Written for, or dedicated to: Magnus Andersson; Elision Ensemble

§         Publisher: www.ump.co.uk

§         Composer: composers21.com/compdocs/barrettr.htm

 

 

Boudewijn Cox (*1965)

Memento (1990)

 

§         All notes fall within the 6-string guitar tessitura.

§         Performance on a modern 10-string guitar is preferred by the composer.

§         Published by CeBeDeM: www.cebedem.be

§         Composer: www.boudewijncox.tk

 

 

David Hönigsberg (*1959)

African Sonata (1990)

 

I. “A Basutu tune...”

II. “A quiet summer evening...”

III. (Fast... – Meno mosso – Tempo I)

IV. (Energetically)

 

§         String configuration & Tuning: Modern (Alternative) – Scordatura

§         Alternative possibilities for other string configurations/tunings or 6-string guitar

§         Originally written as “Suite on African Themes” for David Hewitt (unperformed)

§         Revised as “African Sonata” in 2004 and dedicated to Viktor van Niekerk

§         Edited and fingered playing score in preparation

§         Composer: sacomposers.up.ac.za/hoenigsberg,_david.htm

 

 

Eric Pénicaud (*1952)

Parabole Créole (Variations sur un thème de Leo Brouwer) (1992)

 

I. Parabole 1

II. Parabole 2

 

§         String configuration & Tuning: Romantic – Standard, aside from scordatura (9) to B-flat

§         Published by Max Eschig: www.salabert.fr

 

 

Gerhard Wolfstieg (*1953)

Nein! (1992)

 

§         String configuration & Tuning: Romantic – Scordatura

§         Written for, or dedicated to: Michael Prüß

§         Unpublished. www.wolfstieg.com

 

 

Robert Keeley (*1960)

Two Ways of Looking at a Spider (1993)

 

I. The Spider Dances

II. The Spider Laments at Night

 

§         String configuration & Tuning: Modern – Standard

§         Also known as “Two Pieces for 10-String Guitar”

§         Written for, or dedicated to: Jonathan Leathwood

§         Unpublished

§         Composer: www.kcl.ac.uk/kis/schools/hums/music/Keeley.html

 

 

Gerhard Wolfstieg (*1953)

jenseits des Tages (1995)

 

I. abend – rot [6-string]

II. dazwischen [10-string]

III. morgen – grauen [10-string]

 

§         String configuration & Tuning: Romantic – Scordatura

§         Written for, or dedicated to: Michael Prüß

§         Unpublished

§         Composer: www.wolfstieg.com

 

 

Martin Derungs (*1943)

Elegie, op. 59 (1996)

 

§         String configuration & Tuning: Modern – Standard

§         Written for, or dedicated to: Urs Güntensperger

§         Unpublished

§         Composer: www.musicedition.ch/composers/141d.htm

 

 

Kent Nyman

Slow Hand (1998)

 

§         For 10-string guitar and electronics

§         [No further information is currently available.]

 

 

Kent Olofsson (*1962)

Il Liuto d’Orfeo (1998-99)

 

I. (for charango)

II. (for 6-string guitar)

III. (for 10-string guitar)

IV. (for charango)

V. (for 10-string guitar)

 

§         Non-standard string configuration tuned: e’, b-¼, g-¼, d, A, E, C+¼, C, G1, F#1

§         For soloist performing on various guitars with tape

§         Published by Swedish Music Information Centre: www.mic.stim.se

§         Composer: w1.404.telia.com/~u40416789/

 

 

Boudewijn Cox (*1965)

Passages (2000)

 

I. Rapsodía

II. Interludio

III. Laï

IV. Finale

 

§         String configuration & Tuning: Modern (Alternative) – Scordatura

§         Written for, or dedicated to: Myriam Bogaerts

§         Published by CeBeDeM: www.cebedem.be

 

 

Stephen Goss (*1964)

Oxen of the Sun (2003-4)

 

I. Sirens

II. Pan

III. Aeolus

IV. Orpheus

V. Arethusa

VI. Circe

VII. Narcissus

 

§         String configuration & Tuning: Modern – Standard, aside from scordatura of (7) to B1

§         A solo for 10- and 6-string played simultaneously by one player

§         Written for, or dedicated to: Jonathan Leathwood

§         Published by Cadenza: www.cadenza-music.com

§         Composer: www.surrey.ac.uk/Music/Who/Goss.htm

 

 

Janet Marlow

Three American Landscapes (2004)

Scales and Exercises for the Ten-String Guitar (2005)

Blue Eyes  Solo (2005)

Sweet Sensations  Solo (2005)

Playing The Ten String Guitar: An Approach Guide for Guitarists

Method Book and DVD (2004)

 

§         Marlow string configuration:

standard tuning: E’-B-G-D-A-E-B-F#-C#-G#1

[NB: re-entry tuning from (7) to (10).]

§         Published by TenStringGuitar Publications www.tenstringguitar.com

 

 

Fritz Buss (*1930)

 

Five Bagatelles (1993-94)

Five Ballads (2000-2002)

Presto (1998)

Suite in E minor (1992)

Thirty Studies (Five Studies, 6 Volumes)

Tres Piezas Españolas (1996)

 

All notes fall within the 6-string guitar tessitura, but performance on a modern 10-string guitar is preferred by the composer and additional strings may be used where appropriate.

 

Available from the Classical Guitar Society of South Africa: vivanni@hotmail.com.

 

***

 

Dominic Frasca /Marc Mellits

Dometude

 

www.dominicfrasca.com

www.marcmellits.com

                                                                                                                                            

***

 

 

CONCERTI / CHAMBER MUSIC:

 

Maurice Ohana (1914-1992)

Concerto: Trois Graphiques (1950-7)

§         Originally 6-string guitar & orchestra; revised for 6- or 10-string guitar & orchestra

§         Modern string configuration

§         Dedicated to Narciso Yepes

§         Published by Amphion

§         Composer: www.mauriceohana.com

 

Antonio Ruiz-Pipó (1934-1997)

Tablas (Concerto) (1968-69/72)

§         10-string guitar & orchestra (also for 6-string with some alterations)

§         Modern string configuration

§         Written for Narciso Yepes

§         Published by Union Musical Ediciones

 

Leonardo Balada (*1933)

Persistencias: Sinfonía-concertante (1972)

§         Amplified 10-string guitar & orchestra

§         Modern string configuration

§         Written for Narciso Yepes

§         On hire from Schirmer: www.schirmer.com

§         Composer: www.andrew.cmu.edu/user/balada/index.htm

 

Jorge Labrouve (*1948)

Juex op. 12 (Concertino) (1975)

§         10-string guitar & string ensemble of 12

§         Modern string configuration

§         Written for Narciso Yepes

§         Composer: www.jorgelabrouve.com

 

Alejandro Yagüe (*1947)

Confidencial No. 3 (1977)

§         10-string guitar & piano (4 hands)

§         www.ctv.es/USERS/alyag/

 

Amaury du Closel (*1956)

Concerto (1984)

§         10-string guitar & orchestra

§         Modern string configuration

§         Written for Pierre Laniau

§         Composer: members.aol.com/amduclosel/homepage.html

 

Adolfo Núñez (*1954)

Los árboles y el bosque (1984)

§         Flute, viola & 10-string guitar

§         www.havanacity.com/sgae/autor/41/contenido.asp

 

Jorge Labrouve (*1948)

La Respuesta Op. 24 (1985)

§         Flute, alto & 10-string guitar

§         Modern string configuration

§         Composer: www.jorgelabrouve.com

 

Stellan Sagvik (*1952)

Serenade Piquante, op. 143 (1987)

§         Alto flute, 10-string guitar, & percussion ad lib

§         Also for oboe & 10-string, or oboe d’amore & 10-string respectively as op 143b and 143c

§         Written for Magnus Andersson

§         Published by Swedish Music Information Centre: www.mic.stim.se

§         Composer: composer.sagvik.just.nu

[Thanks to Klaus Heim from sheerpluck.de for this into.]

 

Richard Barrett (*1959)

from “Negatives”:

1. delta (1990-93)
[afl/tbn/angklung/sitar (amplified)/10-str gtr (amplified)/str: 10111]

2. colloid-E (1988-92)
[fl/tbn/mandolin/cb/1perc/solo 10-str gtr (amplified)]

3. archipelago (1990-92)

[bfl+alto recorder/tbn/1perc/10-str gtr/str (10111)/solo mandolin (amplified) + retuned mandolin]

§         Non-standard string configuration

§         Written for Elision Ensemble

§         Published by United: www.ump.co.uk

§         Composer: composers21.com/compdocs/barrettr.htm

 

Michael Blake (*1951)

Leaf-Carrying Song (1991-93)

§         10-string guitar & oboe d’amor

§         Written for Simon Wynberg

§         Playing score in preparation: www.bardic-music.com

§         Composer: www.bardic-music.com/Blake.htm

 

Richard Barrett (*1959)

Opening of the Mouth (1992-97)

§         Soprano, mezzo, 10 instruments and electronics:

flutes, clarinets, percussion, mandoline/mandola, 12 stringed guitar/ electric guitar, 10-string guitar, koto/jushichigen, violin/viola/ hardanger fiddle, cello, sampler

§         Non-standard string configuration

§         Written for Elision Ensemble

§         Published by United: www.ump.co.uk

§         Composer: composers21.com/compdocs/barrettr.htm

 

Richard Barrett (*1959)

Partikelgestöber (1992-97)

§         Rearranged from “Opening of the Mouth”

§         C-clarinet, mandola, 10-string guitar, jushichigen [bass koto]

§         Non-standard string configuration

§         Written for Elision Ensemble

§         Published by United: www.ump.co.uk

§         Composer: composers21.com/compdocs/barrettr.htm

 

Boudewijn Cox (*1965)

La Ghiottoneria (1993)

§         10-string guitar Duo

§         Modern Alternative string configuration

§         Belgian Music Centre: www.cebedem.be

§         Composer: www.boudewijncox.tk

 

Mary Finsterer (*1962)

Ceres di Lingua (1993)

§         Flute, oboe, bass clarinet, trumpet, trombone, 10-string guitar, harp, violin, viola, violoncello, double bass, percussion

§         Non-standard string configuration

§         Written for Elision Ensemble

§         Australian Music Centre: www.amcoz.com.au

§         Composer: www.amcoz.com.au/comp/f/mrfinst.htm

 

David L. Young (*1969)

Scant (1993)

§         10-string guitar & violoncello

§         Non-standard string configuration

§         Written for Elision Ensemble

§         Australian Music Centre: www.amcoz.com.au

§         Composer: www.amcoz.com.au/comp/y/dyoung.htm

 

Boudewijn Cox (*1965)

Gordia (1998)

§         10-string guitar & mandolin

§         Modern Alternative string configuration

§         Written for Myriam Bogearts & Gerda Abts

§         Published by Vogt & Fritz Verlag

§         Composer: www.boudewijncox.tk

 

Agustín Fernandez (*1958)

A to Z (2000; rev. 2002)

§         Flute, charango & 10-string guitar

§         Composer: composers21.com/compdocs/fernanda.htm

 

Staffan Storm (*1964)

Wilderschein (2000)

§         Clarinet, violoncello & 10-string guitar

§         Published by Swedish Music Information Centre: www.mic.stim.se

 

Michael Vaughan (*1954)

Infinite Skies (2000)

§         Flute [piccolo, bass flute], B-flat clarinet [E-flat clarinet, bass clarinet], trumpet, trombone, percussion, harp, koto, 10-string guitar, double bass

§         Non-standard string configuration

§         Written for Elision Ensemble

§         Composer: www.keele.ac.uk/depts/mu/staff/mike.htm

[Thanks to Klaus Heim from sheerpluck.de for this into.]

 

Jonas Bohlin (*1963)

7 juli: medieoratorium (2002)

§         Soprano, mezzo-soprano, baritone, reciter, flute, clarinet, saxophone, percussion, 10-string guitar, harp, piano

§         Published by Swedish Music Information Centre: www.mic.stim.se

[Thanks to Klaus Heim from sheerpluck.de for this into.]

 

Kay Holmquist (*1960)

Crepuscular Radiation (2002-03)

§         Flute, viola and 10-string guitar

§         Published by Swedish Music Information Centre: www.mic.stim.se

 

 

***

 

 

 

 

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